Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, "an inkblot test of Mailer´s own subconscious" (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema´s most alarming on-screen outbursts.

Norman Mailer´s first feature filmmaking effort stars the director and his two longtime collaborators Buzz Farbar and Mickey Knox as a trio of gangsters holed up in a ramshackle New York apartment, drinking, braying, and fighting.

Mailer´s belief that we´re all capable of being either police or criminals was the impetus for his second feature, which takes place over the course of one feverish night in a Manhattan police precinct and neighboring bar. The texture of the black-and-white stock and the intense depiction of the police lineup process lend the film a rugged, journalistic feel. In addition to Mailer, who cast himself as tough-guy Irish cop Francis Xavier Pope, Beyond the Law features Rip Torn and George Plimpton.

Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, "an inkblot test of Mailer´s own subconscious" (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema´s most alarming on-screen outbursts.

Norman Mailer´s first feature filmmaking effort stars the director and his two longtime collaborators Buzz Farbar and Mickey Knox as a trio of gangsters holed up in a ramshackle New York apartment, drinking, braying, and fighting.

Mailer´s belief that we´re all capable of being either police or criminals was the impetus for his second feature, which takes place over the course of one feverish night in a Manhattan police precinct and neighboring bar. The texture of the black-and-white stock and the intense depiction of the police lineup process lend the film a rugged, journalistic feel. In addition to Mailer, who cast himself as tough-guy Irish cop Francis Xavier Pope, Beyond the Law features Rip Torn and George Plimpton.